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Program

In the late 1980s, Rose moves from the Ivory Coast to the Paris suburbs with her two young sons, Ernest and Jean. Spanning 20 years from their arrival in France to the present day, the film is the moving chronicle of the construction and deconstruction of a family.

Country:
France, 2022
Genre:
Drama
Group:
FEST Fokus
Duration:
116’
Director:
Léonor Serraille
Screenplay:
Léonor Serraille
Cast:
Annabelle Lengronne, Stéphane Bak, Ahmed Sylla, Kenzo Sambin, Sidi Fofana…
Festivals:
2022 – Kan, Solun, Sevilja, Stokholm / Cannes Film Festival, Thessaloniki International Film Festival, Seville European Film Festival, Stockholm Film Festival
Cinematography:
Hélène Louvart
Editing:
Clémence Carré
Producers:
Sandra da Fonseca
Production:
Blue Monday Productions, France 3 Cinéma
Distributer:
MCF MegaCom Film
Filmography:

2022 Un petit frère / Mother and son / Majka i sin
2017 Jeune femme / Montparnasse Bienvenüe
2016 Body
Awards:
2022 - Les Arcs European Film Festival - najbolja glumica i najbolja fotografija; Stokholm - najbolja glumica / Les Arcs European Film Festival:
Best Actress (Annabelle Lengronne), Best Cinematography (Hélène Louvart); Stockholm Film Festival - Best Actress (Annabelle Lengronne)

Showing

02. Mar

Time: 19:30
Price: 300 RSD
Dvorana Kulturnog centra

04. Mar

Time: 13:30
Price: 300 RSD
Jugoslovenska kinoteka, Makavejev Hall

05. Mar

Time: 21:30
Price: 500 RSD
Kombank dvorana, Hall 6

LÉONOR SERRAILLE

After studying literature in Lyon, Paris and Barcelona, Léonor Serraille joined the scenario course at the La Fémis Film School in 2009. She then directed a medium-length film shot in 16 mm, Body (2016), which screened in Brive, Créteil, and Osnabrück festivals among others. Jeune Femme (2017), her graduation screenplay and first feature, starring Laetitia Dosch in the lead role, received the Caméra d'Or at the Cannes Film Festival. Her second film, Mother and Son (2022), was presented in Competition at the Cannes Film Festival.

Reveiws:

Film about a very complicated and painful kind of coming of age, or maybe a meditation on “coming of age” as something that never actually happens; it also examines the illusory dividing line between childhood and adulthood, innocence and experience, present and past.

Peter Bredshow, The Guardian

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