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Program

When Abel learns that his 60-year-old mother Sylvie is about to marry a man in prison he freaks out. With the help of his best friend, Clémence, he will do whatever it takes to protect her. But meeting Michel, his new stepfather, may well offer him a new perspective…

Country:
France, 2022
Genre:
Komedija
Group:
Gala
Duration:
100’
Director:
Louis Garrel
Screenplay:
Louis Garrel, Tanguy Viel, Naïla Guiguet
Cast:
Roschdy Zem, Anouk Grinberg, Noémie Merlant, Louis Garrel, Jean-Claude Pautot…
Festivals:
2022 – Kan, Jerusalim, San Sebastijan, Cirih, Rim, Bergen, Filadelfija / Cannes Film Festival, Jerusalem Film Festival, San Sebastián International Film Festival, Zurich Film Festival, Rome Film Festival, Bergen International Film Festival, Philadelphia International Film Festival
Cinematography:
Julien Poupard
Editing:
Pierre Deschamps
Music:
Grégoire Hetzel
Producers:
Anne-Dominique Toussaint
Production:
Les Films des Tournelles, ARTE France Cinéma, Auvergne-Rhône-Alpes Cinéma
Distributer:
MCF MegaCom Film
Filmography:

2022 L’innocent / The Innocent / Nevini
2021 La Croisade / The Crusade / Krstaški pohod:
Kako spasiti planetu
2018 L’homme fidèle / A Faithful Man / Veran čovek
2015 Les deux amis / Two Friends / Dva prijatelja
2008 Mes copains / My Buddies (Short)
 
 

Showing

04. Mar

Time: 22:00
Price: 500 RSD
MTS dvorana, Hall 1

05. Mar

Time: 14:30
Price: 300 RSD
MTS dvorana, Hall 1

05. Mar

Time: 21:30
Price: 500 RSD
Cineplexx Galerija Belgrade - Hall 7

LOUIS GARREL

Louis Garrel (Paris, 1983) is a French actor and director. He is best known for his starring role in The Dreamers (2002) by Bernardo Bertolucci. Garrel has since starred in various French films, including Les Amant Reguliers (2005), directed by his father Philippe Garrel. He was awarded the César Award for Most Promising Actor for his work in the film. He started to direct films on his own soon after. Louis Garrel wrote and directed a short film My Buddies (2008). His debut feature Two Friends (2015) screened at Cannes in the International Critics’ Week section.

Reveiws:

Far from a certain supposedly 'intellectual' cinema that nobody really understands, without forgetting the story, with sensitivity and humour, The Innocent manages to explore questions whose truth we recognise ourselves in.

Júlia Olmo, Cineuropa

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